Artists have always had to contend with influence; every generation has always wished it could birth itself, instead of being born. But the contemporary world is burdened with the biggest glut of influences and models ever available to any people in history. It may seem paradoxical to claim, but nothing proves this essential paralysis more clearly than our era’s massive cultural overproduction, than those creative industries that churn out books and television shows and movies yet always remain fixated on contemporary trends, on context-free content, with little or no connection to any deep tradition. The paradox makes some sense psychologically: one symptom of paralyzing anxiety is compensatory overactivity. Bloom himself had suggested that artists deal with this overabundance by choosing the right influences (or being chosen by them), then redescribing, misreading them creatively—hoping to come up with a radical enough revision to push forward with their own transformed material.
В России отреагировали на ракетный удар ВСУ по Брянску08:42
Присвоивший миллионы своего друга-подполковника российский майор сделал заявлениеОбвиняемый в растрате ₽4,2 млн друга майор Борзов из ЛНР признал вину。业内人士推荐新收录的资料作为进阶阅读
普拉司网数据显示，2月28日至3月10日，华南塑胶原料价格指数从16771元，升至3月9日的19817元，又小幅回落至19009元，价格指数增长超13.34%。此外，ABS价格指数上涨超18.3%。PP价格指数上涨超16%，PC价格指数上涨超15.8%。
，推荐阅读新收录的资料获取更多信息
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华盛顿想了个绝妙的主意，叫 “双柱政策” (Twin Pillars Policy)。，详情可参考新收录的资料